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Corants by John Sturt and Jacques Gaultier

The ML lute book, (c.1610-40) is a major source for the music of John Sturt (fl.1612-1625) and he may even have been the main scribe (apart from the formation of the letter “e” the writing of tablature, final flourishes and text are very similar to the scribe of Berlin 40461 who apparently signed his name at the end of this corant).  

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Dowland’s ‘Tremolo’ Fantasia: What’s wrong with it?

Dowland’s famous “tremolo” fantasia is familiar from many performances, starting with Julian Bream in the 1970s and continuing to be a favourite piece amongst modern lutenists.

This piece appears in the Collected Lute Music of John Dowland (London: Faber. 3rd edition, 1981; edited by Diana Poulton and Basil Lam;

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Almains by John and Robert Dowland

The Margaret Board lute book, written c.1620 and unknown until it was offered for sale in 1970, is a fascinating source, not least because it contains a substantial quantity of John Dowland’s handwriting.  He wrote a theoretical table showing the Gam ut on f.1v. and two pieces: an Almande by Robert Dowland on f.12.v.

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[Prelude] by Anon. (CUL Add.3056, f.10v.)

Cambridge University Library MS Add.3056 probably dates from around 1610, but most of the music is for a seven-course lute.  The copyist drew on a number of continental and English sources, including John Danyel’s song book of 1606.  This unusual piece, untitled and anonymous, is not found in any other source,

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Rogero

Rogero or Ruggiero is an Italian ground bass which was popular from at least the middle of the 16th century (and on into the 17th) as a basis for sets of variations and songs. There are several versions for solo lute in English manuscripts, of which two are presented here.

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